Writing
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Links for Writers
I’ve been poking around the web, looking to connect with other writers. Here are some of the sites I’ve visited and liked: (the links will be organized; right now you don’t know what you’ll be taken to, but trust me (please)–this is like tiramisu. Every bite is delicious.)
HighSpot Inc.’s Directory of book trade people on Twitter
HighSpot Inc.’s Directory of authors on Twitter
Twitter Tips for Writers + 25 Good Follows
Archetype and CritPartnerMatch found these via Kait Nolan (she created CritPartnerMatch, btw)
Off the Shelf: Writers on Writing
INDUSTRY BLOGS
Nathan Bransford–Literary Agent
Chip MacGregor-Literary Agent {features Q&A for writers, among other things}
Rachelle Gardner-Literary Agent {features advice for writers, etc.}
HOW TO
Thematic Premise Sheet {plotting help}
Character test #1
Character test #2
Character test #3
If you know of a writer’s blog, please comment here with a brief blurb about the site. When I have time I’ll put all the links on their own page.
A day in the life of a writer: character development
“A man who won’t die for something is not fit to live.”
— Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
I’ve been struggling with my heroine’s over-arching goal. I keep tangling external goals with internal ones. My critique partner pointed out that the one I had was too “do-able,” adding, “I think Diana needs something that she wants desperately – something that is urgent – life or death or loss that if she loses it, her life will never be the same (or someone she cherishes will never be the same) something that she will walk on water to obtain if that’s what she needs to do.”
So. A character who won’t die for something isn’t fit to live, either, and that rings true for me. Characters with something huge at stake engage the reader immediately.
While I was looking for inspiration I came across some quotes that resonate, and I’m pinning them up while I write so they’ll remind me of key character traits.
Diana, my heroine, is a frustrated artist (painter) who runs a gun shop with her mother. A quote for her is from Bernard Shaw:
“Life isn’t about finding yourself. Life is about creating yourself.”
And these: “Success is liking yourself, liking what you do, and liking how you do it.”— Maya Angelou“The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself.”— Friedrich Wilhelm Nietzsche
“One must pay dearly for immortality; one has to die several times while still alive.”— Friedrich Wilhelm Nietzsche
My bad guy, as yet un-named, has this one:
“Nearly all men can stand adversity, but if you want to test a man’s character, give him power.”
— Abraham Lincoln
Mark, my hero, has these:
“In the years afterward, I fled whenever somebody began to understand me. That has subsided. But one thing remained: I don’t want anybody to understand me completely. I want to go through life unknown. The blindness of others is my safety and my freedom.” — Pascal Mercier
“Before you embark on a journey of revenge, dig two graves.”— Confucius
Ultimately, this one will apply: “I can be changed by what happens to me. But I refuse to be reduced by it.” — Maya Angelou
One that will apply throughout the story:
“The major difference between a thing that might go wrong and a thing that cannot possibly go wrong is that when a thing that cannot possibly go wrong goes wrong, it usually turns out to be impossible to get at or repair.”— Douglas Adams (The Hitchhiker’s Guide to the Galaxy)
And this one reminds me of different ways to illustrate character:
“Your handwriting. The way you walk. Which china pattern you choose. It’s all giving you away. Everything you do shows your hand. Everything is a self-portrait. Everything is a diary.”— Chuck Palahniuk
A day in the life of a writer: trashing pages
I forgot to mention that I’ve been working on the same pages for several months. Not every day, just for my monthly assignments. I got them honed to bland acceptability, and realized yesterday that I will have to trash them all.
I was kinda proud of those pretty words and at least two of the characters. But as interesting as all that was, it went nowhere. Well, except to a tight, windowless, baffling corner. It just wasn’t working. I’ve been struggling to make my characters do something interesting, and one of them drove off, another went haring off after that one, and the last just sulked in her office.
There was some funny dialogue, but the story itself was like a face with no eyebrows or lashes. Or lips. No nose.
*sigh*
So I’m starting over from scratch with characters who have agendas, and already, before word one, I know the story will take off.
I’m sharing this because I know there may be other writers who are fighting a bland storyline. If that’s you, try working with Debra Dixon’s Goal, Motivation, and Conflict. You’ll be relieved to discover that the problem is fixable.
A day in the life of a writer: distraction
My 18-year-old son has a band. It is not folk music, nor does it have the meditative sound of Benedictine monks chanting, classical guitar, or the flute. It isn’t cacophonous, disharmonious, or bombastic. It is, however, loud, and my thin walls are not proof against it.
Sunday is his day, and I’m holed up in my office with earplugs in and earmuffs on, and the sound is [somewhat] muffled. But my characters refuse to cooperate in this atmosphere.
Other distractions: Facebook, Twitter, coffee-to-be-made, foot-tapping, email, Myspace.
The quiet is around the corner, and Diana will have to give it up.
A day in the life of a writer: Charting GMC
I went to Debra Dixon‘s talk at the monthly meeting of San Diego’s chapter of RWA. My novel has been stuck in chapter one because I haven’t properly charted out the GMC of the characters. Today I’m charting three characters:
hero: Mark
heroine: Diana
heroine’s mother: Betsy.
GMC stands for Goal, Motivation, and Conflict. Dixon says the ideas she presents are not new, but I think her book’s the only one of its kind. You can find it here: http://www.gryphonbooksforwriters.com/home/gmc.htm
Finally realized that the reason I’ve been struggling with Diana and Betsy is that their relationship is enmeshed. Funny how characters try to tell you things and you just don’t listen.
this story’s been wanting to come out its own way and I’ve been trying to force it into a tiny box.
Diana is not talking to me, but Mark has spilled his guts, and so has Betsy.