I’ll be writing about how I’m using GMC, which I got from GMC: Goal, Motivation and Conflict: The Building Blocks of Good Fiction by Debra Dixon (Clean link)
I’ve begun working on my novel again, and recently had a breakthrough because of an app I found online that utilizes Dixon’s GMC. I dumped what I knew about my heroine into it, and came out with something I can work with. (I am waiting for this writer to get back to me with feedback. *ahem* ps: You did ask what character issues I’m having, Ms. Tammy.)
The GMC wizard was created by author Shawntelle Madison, and it’s on her site:
Plug your info in and go. Here’s what I got for my heroine. This is a work-in-progress, particularly the internal goal part. For some reason I wrestle with understanding that.
GOAL, MOTIVATION, AND CONFLICT GRID
Occupation: homeless. Previous occupation: ?
Basic Information: Sober b/c of dog Bart. Son died a few years ago & she is beset by guilt.
Eventually she will save Pax, hero’s nephew, which will release her from her self-imposed guilt-shackles.
|GOAL||forgive herself for the death of her son.||own her own house where Bart will have a yard to play in.|
|MOTIVATION||she will die on the streets if she doesn’t.||He’s been beaten before and shot after she claimed him. She wants him to be safe so she doesn’t have HIS death on her conscience, too.|
|CONFLICT||she keeps falling back on alcohol to drown out the pain.||She has no job. She’s been out of work for years. She struggles with sobriety. She has no place to shower, even, and has no idea if she even HAS any skill sets. No confidence.|
Another link I found useful has a blank GMC chart found here: http://www.midmichiganrwa.org/gmc-charts.pdf — 6 pages of character-building here. RWA stands for Romance Writers of America, and it is one of the best investments I’ve ever made in my writing.
The key is to know your characters, which means you have to sit down with each one and listen to them. If you don’t, you risk writing your character into an unbelievable situation, or you risk pushing your character into unbelievable action. For example, I know that my heroine, Diana, loves books, so while it is believable that she would be found digging in a dumpster to rescue a book, there is no way she would burn one to keep herself warm on the streets. She would burn a building first.
What would your character do/not do?